I’ve already covered these filters in my review of the EOS 60D but here are their names which pretty much tell what they do: Grainy Black and White, Soft Focus, Fish Eye Effect, Toy Camera a.k.a. The new Rebel includes Canon’s new Creative Image Filters that are already familiar to PowerShot and EOS 60D shooters and that let you create a copy of a captured image before processing it using any of Canon’s five filter options. A new Quick Control button lets you navigate and change camera settings on that flip-out LCD, something Olympus SLR shooters have been able to do for years but now Canon owners can enjoy as well.
#CANON EOS REBEL T3I SHUTTER SPEED SKIN#
As part of the camera’s new Auto setting it now takes Picture Styles into account and Canon says the camera will “more intelligently analyze scenes and adjust settings based on the subject matter being shot.” That means when you’re photographing a person it will reproduce skin tones naturally or yield bluer skies for more vivid landscapes a flashy red car will come out with more saturated color and evening sunsets will have a more postcard-style rendering. The old love-it or hate-it Green Mode on the Mode dial is gone, replaced with Scene Intelligent Auto technology, a rebranding of the old dial setting to a boxed “A+” design, and yes, it’s green. As we move left to right, the camera’s built-in filters were applied in camera: Grainy Black and White, Soft Focus, Fish Eye Effect, Toy Camera, and Miniature Effect.
#CANON EOS REBEL T3I SHUTTER SPEED ISO#
The original unretouched image of a robin outside my kitchen window was shot using the Rebel T3i’s Standard Picture Style which produces a look that Canon calls a “successful snapshot.” Exposure for the original shot was 1⁄160 sec at f/5.6 and ISO 400. There are even three Live View modes, including the obviously but not necessarily speedy AF Live that focuses during Live View display AF “L” mode that will focus after face detection and AF Quick which does focus quickly, but the Live View display stops-it goes black-if ever so briefly before making an exposure. Like any self-respecting SLR these days, the Rebel T3i has a Live View function that’s accessed with a single button, but new is an Aspect Ratio control that displays crop lines for 1:1, 16:9, or 4:3 formats in addition to the standard 3:2 ratio. The camera even has a built-in user’s guide that uses a Quick Settings Screen to show detailed descriptions of what specific camera settings accomplish it’s set up so that beginners can take advantage of it, yet it’s never intrusive to the more experienced shooter.
The 3” flip-out Vari-Angle LCD screen borrowed from the EOS 60D makes it easy for those overhead “Hail Mary” or down-low macro shots. The Rebel T3i’s Scene Intelligent Auto mode provides scene analysis and optimized settings for proper exposures, making it a good first SLR for people moving up from point-and-shoot cameras. The 18-megapixel EOS Rebel T3i is clearly an evolutionary model in the line, but owners of older Rebels should take a hard look at this new model because it clearly represents Canon’s new face as reflected in the previously released EOS 60D-the flip-out screen, in-camera filters, and all that jazz.
Rebels have always delivered good value wrapped up in a compact package and it’s why I personally own two-a Rebel XT and a Rebel XTi-both of them converted to infrared-only capture.
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